Born on 21 December 1887 in Toulouse – died on 31 August 1966 in Marseille
Trantoul made his debut in Nîmes in Manon as des Grieux in 1911. He appeared at the Opéra-Comique in Paris in the same
role on 2 December 1920. At the Opéra-Comique, Trantoul sang in the following works: Il barbiere di Siviglia, Les contes
d'Hoffmann, La bohème, Louise, Werther, Le roi d'Ys, Tosca, Orphée, Madama Butterfly, L'attaque du moulin, and took part
in the world premiere of Les noces corinthiennes on 10 May 1922 with Yvonne Gall and Félix Vieuille. That's an opera by the
conductor-composer Henri Busser.
In RA format
On 7 October 1923, Trantoul made his debut at the Opéra as Faust. At the Opéra, Trantoul sang also in the following works:
Roméo et Juliette, Rigoletto, Hérodiade, Lohengrin, and in the world premiere of Nerto, by Widor, in the part of Rodrigue. Trantoul sang also all over France.
Excerpts of the review published in Lyrica, November 1923 of Trantoul's debut at the Opéra
His voice, true voice of a demi-caractère tenor, has a clear timbre, is firm, carries well in the auditorium, is
homogeneous as well as long, is capable of giving the D flat in act one as well as the B during the Carnival scene. The singer uses his
voice with a great technique, taking at the repeat of the initial phrase of the cavatine C'est là, ah! Salut, demeure...
the high C first forcefully then changing into half voice and giving the final high C Où se devine la présence
with magnificent artistry in the register that Faure calls the diminished chest voice.
In 1925, Toscanini hired Trantoul at the Scala, where he sang until 1931, in the following works: Faust, Carmen, Aida, Don Carlo, Der
Freischütz, Nerone, Otello, Il trovatore, and Norma. Trantoul was alternating with Merli and Pertile. With an Italian troupe,
Trantoul sang in South America in 1926 (Buenos Aires and Rio de Janeiro) with singers such as Muzio, Ruffo, and Pinza.
During the 1929/1930/1931 seasons, Trantoul appeared at the Met in Carmen with Moore & Pinza, Louise with Bori, Telva, Rothier and
Whitehill; Faust with Fleischer; Les contes d'Hoffmann; La bohème. In the 1935-6 season, Trantoul sang at the Regio di Torino.
In RA format; the last few notes are missing, it seems they were never recorded.
Antonin Trantoul never recorded commercially. In 1930, Trantoul privately recorded two arias: E lucevan le stelle in
French, and Che gelida manina
I wish to thank Georges Voisin for the recordings.