Georges Jouatte

17 June 1892 Villefagnan – 13 February 1969 La Rochelle

Picture of Georges Jouatte
Picture of Georges Jouatte
Ottavio
Jouatte was the son of a brewer. To finance his musical education, he appeared as a dancer as the Casino de Paris.

He concluded his vocal studies (as a baritone) in Germany, where he appeared in concert and operetta in Berlin, and even played a supporting role in the first feature-length German sound film, Das Land ohne Frauen. In 1932, he made his stage debut at the Théâtre Mogador in Paris.

He changed to tenor after further studies with Paul Cabanel and Louis Fourestier, and in 1934, again at the Mogador, he created Mandrin, an operetta by Josef Szulc (on 12 December with Solange Renaux, Hélène Regelly, Germaine Duclos, Robert Allard, Friant, Carpentier).

Jouatte made his debut at the Opéra in 1935 (3 July) as Faust in La damnation de Faust with Marisa Ferrer, André Pernet, Armand Narçon, Jules Forest and Paul Paray. In 1935, he sang his first performances of Faust, Tamino (Die Zauberflöte on 11 December with Lalande, Ritter-Ciampi, Mahé, Huberty, Cabanel, Morot, Narçon, Rouquetty, Pactat and Reynaldo Hahn), Castor (Castor et Pollux); in 1936, of Sänger (Rosenkavalier), Admète (Alceste on 23 October with Germaine Lubin, Martial Singher, Raoul Gourgues and Philippe Gaubert); in 1937 of Florestan (Fidelio on 13 January with Lotte Schöne, Germaine Lubin, Georges Noré, José Beckmans, Henry Etcheverry, Pierre Froumenty, Raoul Gourgues, Henri Médus and Philippe Gaubert); in 1938 of Ottavio, Shahabarim (Salammbô, on 3 June with Germaine Lubin, José Luccioni, José Beckmans, André Pernet, Marcel Clavère, Lucien Bernasconi, Roger Rico, Raoul Gourgues, Georges Noré, Henri Médus, Louis Noguéra, and Françcois Ruhlmann), Lohengrin, Énée; in 1941 of Arnal (Gwendoline on 10 May with S. Renaux, José Beckmans, and Philippe Gaubert). He sang in the local premieres of Der fliegende Holländer (Erik on 27 December 1937 with Germaine Hoerner, Eliette Schenneberg, Martial Singher, Lucien Bernasconi, Edmond Chastenet, Raoul Gourgues, and Philippe Gaubert), and Pénélope (first complete performance) (Ulysse on 14 March 1943 with Germaine Lubin, Suzanne Lefort, Paul Cabanel, Camille Rouquetty, Charles-Paul, Charles Cambon, Raoul Gourgues and François Ruhlmann). He remained at the Opéra until 1944.

On 18 February 1937 he made his debut at the Opéra-Comique as Belmonte in Die Entführung aus dem Serail with Gabrielle Ritter-Ciampi, Lotte Schöne, Charles Friant, Félix Vieuille, Guy Ferrant and Reynaldo Hahn. At that house, he took part in the local premieres of Ariadne auf Naxos (Bacchus, on 30 April 1943 with Germaine Lubin, Janine Micheau, Marisa Ferrer, Emile Rousseau and Roger Désormière) and L'incoronazione di Poppea (Nerone, 23 December 1937 with Renée Gilly, André Gaudin, Madeleine Sibille, Victor Pujol, Henri Etcheverry and Gustave Cloëz). He also sang Werther, Tamino and Faust at the Opéra-Comique.

On 6 May 1937, Jouatte appeared at Covent Garden in Alceste with Germaine Lubin and Martial Singher.

Ha made concert appearances in Germany, Italy, Austria, Montreux (Verdi's Requiem with Bruno Walter) and Belgium. He appeared at the Salzburger Festspiele in 1933 (6 August in Stabat mater with Gabrielle Ritter-Ciampi, Emilie Rutschka, Josef von Manowarda and Josef Messner) and in 1936 (15 August, concert of Cantantibus organis (by Provaznik), Auferstehung (by Weingartner), Psalm 13 (by Liszt) with Maria Keldorfer-Gehmacher, Paul Lorenzi and Josef Messner; 23 August, Mozart's Requiem with Eidé Noréna, Emilie Rutschka, Georg von Tschurtschenthaler, and Josef Messner).

He retired in 1946 after singing Tamino at the Opéra-Comique.

He still appeared from time to time on stage after 1946, for example in 1951 as Tamino in Monte Carlo.

He taught singing from 1949 to 1962, among his students were: Régine Crespin, Roger Soyer, Alain Fondary, Charles Gillig, Vera Little, Mady Mesplé,...
References: Kutsch & Riemens; VRCS 2004

Georges Jouatte sings Mandrin: Les yeux de femme

Georges Jouatte sings L'attaque du moulin: Adieu, forêt profonde

Georges Jouatte sings La damnation de Faust: Le vieil hiver
In RA format

Georges Jouatte sings Gopak
In RA format

Georges Jouatte sings Rose-Marie: Medley, with Solange Renaux
Solo selections included: Chant indien (Jouatte/Renaux), Ô ma Rose-Marie (Jouatte), Mon esprit angoissé (Renaux)
I wish to thank Christian Torrent for the picture (Ottavio).
I wish to thank Tom Silverbörg for the recording (Damnation)
I wish to thank Anton Bieber for the recording and label scan (Rose Marie).
Discography

Odeon, Paris, 25 November 1930
xxP7175   Le chef d'armée (Musorgskij)						123737

Odeon, Paris, 4 December 1930
xxP7184   Siegfried (Wagner): Chant de forge					123737

Odeon, Paris, 15 September 1931
xxP7298   Il barbiere di Siviglia (Rossini): Des rayons de l'aurore		unpublished
xxP7299   La bohème (Puccini): Que cette main est froide			123800
xxP7301   Lohengrin (Wagner): Aux bords lointains				unpublished

Odeon, Paris, 1 December 1930
Ki3934    Die Walküre (Wagner): Plus d'hiver					188793
Ki3935    Air de la puce (Musorgskij)						188793

Odeon, Paris, 8 June 1931
xxP7288   Don Giovanni (Mozart): Dites à mon aimée				123783
xxP7289   La damnation de Faust (Berlioz): Nature immense			123783

Odeon, Paris, 15 September 1931
Ki4763    Manon Lescaut (Puccini): Ange, sirène ou femme			188843
Ki4764    Gopak (Musorgskij)							188843  

Odeon, Paris, 16 October 1931
xxP7308-1 L'attaque du moulin (Bruneau): Adieux à la forêt			123804
xxP7308-2 L'attaque du moulin (Bruneau): Adieux à la forêt			123804
xxP7309   Lakmé (Delibes): Fantaisie aux divins mensonges			123804

Odeon, Paris, 26 September 1932
Ki5540-2  Im weißen Rössl (Benatzky): Tout bleu					250279
          with Hélène Regelly
Ki5541-2  Am Sonntag will mein Süßer mit mir segeln geh'n (Profes)		250280
	  in French with Hélène Regelly
Ki5544-2  Im weißen Rössl (Benatzky): La bonne auberge du Cheval Blanc		250279 
          with Hélène Regelly
Ki5545-2  Mein Liebeslied muss ein Walzer sein (Stolz)				250280
	  in French with Hélène Regelly

Odeon, Paris, 4 October 1932
Ki5568    Il barbiere di Siviglia (Rossini): Des rayons de l'aurore		188874
Ki5569    La Juive (Halévy): Rachel quand du Seigneur				188874  
xxP7339   La favorite (Donizetti): Ange si pur					123808

Odeon, Paris, 7 October 1932
Ki5581    Veux-tu?, pt. 1 (de Wenzel)						250291 
Ki5582    Veux-tu?, pt. 2 (de Wenzel)						250291

Odeon, Paris, 23 June 1933
Ki6099    El gaucho (Schipa)							250486
Ki6100    Dormi pure (Scuderi), in French					250486

Odeon, Paris, 28 September 1933
Ki6196    La véritable Manola (Bourgeois)					250520
Ki6197    Les filles de Panama (de Mauprey)					250520

Pathé, Paris, 1934–1935
          Schön ist die Welt (Lehár): La chanson du bonheur			PA 717 
          Schön ist die Welt (Lehár): Tout l'amour				PA 717
          Mandrin (Szulc): Chanson de route					PA 446
CPT1658   Mandrin (Szulc): Les yeux des femmes					PA 446
          Mandrin (Szulc): Par cet espoir d'un jour				PA 448 
CPT1828-1 Rose-Marie (Friml/Stothart): Pot-pourri, pt. 1			PA 522
	  in French with Solange Renaux	
CPT1829-1 Rose-Marie (Friml/Stothart): Pot-pourri, pt. 2			PA 522
	  in French with Solange Renaux	
          Faust Symphonie (Liszt)                                               PDT 31–37
          	Grand orchestre symphonique; Selmar Meyrowitz, dir.

Pathé, Paris, 1948
          Magnificat (Johann Sebastian Bach)					PDT 177–182
          	with Nadine Renaux, Hélène Bouvier, Odette Turba-Rabier, 
	  	Camille Maurane
          	Raymond Sabarich, trompette solo; Franxois, hautbois d'amour; 
          	Lavaillotte et Le Bon, flûtes 
          	Orchestre Symphonique et la Chorale de l'Université de Paris; Jean Gitton, dir. 

Columbia, Paris, 1942
CLX 2377– Grande messe des morts (Berlioz)					LFX 659–669
CLX 2398  	Chorale Émile Passani; Orchestre de Radio-Paris; Jean Fournet, dir.

          La damnation de Faust (Berlioz)					LFX 615–628
          	with Mona Laurena (Marguerite); Paul Cabanel (Méphistophélès)
	  	Chorale Émile Passani; Orchestre de Radio-Paris; Jean Fournet, dir.

Radio recordings

La damnation de Faust (Berlioz)
	1948 Paris
	with André Pernet (Méphistophélès), Suzanne Juyol (Marguerite), 
	Charles Cambon (Brander)
	Chœurs et orchestre Radio-Lyrique; Albert Wolff, dir.
	CD House of Opera 4697

Symphony № 9 (Beethoven)
	with Charles Cambon, Janine Micheau, Solange Michel
	Orchestre et choeur de l'ORTF; Serge Koussevitzky, dir.
	CD Archipek Records 

There are other radio recordings with Georges Jouatte including Les Troyens with Marisa Ferrer, and Pénélope
by Fauré with Berthe Montmart.
I wish to thank Christian Torrent for the discography; additions from Gesellschaft für historische Tonträger, Wien.

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