Claude Cheyrat
He was "premier fort ténor" in Ghent in the early 1890s, and quite active in the French provinces.
In 1903, he came to the Paris Opéra, where he sang only really small comprimario parts.
In RA format
In RA format
I wish to thank Serge Escalaïs for the recording (L'Africaine) and label.
I wish to thank Richard J Venezia for the recording (La Juive).
Discography
G&T, Paris 1901
3671G Reine de Saba (Gounod): Inspirez-moi, race divine 32992 (7")
3672G Roméo et Juliette (Gounod): L'amour, oui, son ardeur 32983 (7")
3673G Juive (Halévy): Rachel, quand du Seigneur (ca 74) 32984 (7")
3674G Africaine (Meyerbeer): O pays merveilleux 32966 (7")
3675G Roméo et Juliette (Gounod): C'est là! Salut, tombeau 32444 (7")
3679G Damnation de Faust (Berlioz): Nature immense 32972 (7")
3680G Trovatore (Verdi): Miserere (mx 2680nB on disc) 32974 (7")
3753G L'amour captif 32000 (7")
Zonophone, Paris 1904
3099F Faust (Gounod): Trio final (w. Laute-Brun & Narçon) X-84000
Source for the discography: 78opera.com
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