He is the son of Raoul Jobin.
Tenor, actor, stage designer, b Quebec City 20 Jan 1933. After 10 years in New York, he went to Paris, where his family had settled, and
began studying drama with Pierre Bertin and Suzanne Nivette of the Comédie Française. In 1952 he performed as a member of the
Compagnie Jean-Louis Barrault-Madeleine Renaud in Europe, the USA, and Canada. During this time he also studied singing, first with his
mother and later with Janine Micheau. As a singer he made his debut in 1958 at the Théâtre de l'Étoile in
Nouvelle-Orléans, a musical comedy by Pascal Bastia and Sydney Bechet, who starred in it. His aptitude for playing juvenile
leads in operetta subsequently was demonstrated in Joseph Kosma's Bilitis et l'amour (the role of Cynésias) and in Georges
Van Parys's Le Jeu des dames (1960). The following year he tackled classical operetta, particularly the Viennese, where the leading
roles gave him ample opportunity to display his talents as a singer and actor.
Jobin turned to opera in 1963, performing the title roles in Gluck's Orphée, Haydn's The apothecary, and especially
Pelléas et Mélisande. He first sang Pelléas in 1963 at the Opéra-Comique in Paris and repeated it in
the famous houses of Berlin, Brussels, Madrid, and San Francisco, where a reviewer declared: 'Vocally brilliant was the new young tenor,
André Jobin, who made a thoroughly believable and princely Pelléas' (San Francisco Chronicle, 5 Nov 1965). He repeated
Pelléas at the New York City Opera in 1970.
Jobin pursued his career in operetta successfully in premieres and in standard repertoire in France and in many other countries. He went
to Australia in 1968 to perform Valses de Vienne and made his CBC TV debut as Ange Pitou in Lecocq's La fille de Madame Angot.
He then played the role of Guy Florès in Benatzky's L'auberge du cheval blanc at the Théâtre du Châtelet
in Paris (1968-9). His participation in the recording of Lecocq's operetta Le petit duc earned him a 1968 Grand prix du disque. In
1970 he sang in Die Fledermaus in Geneva and The Merry Widow on CBC TV. His career took a new direction in mid-1971, when
he accepted the producer Harold Fielding's invitation to sing the role of Gaylord Ravenal in a London production of Jerome Kern's
Showboat at the Adelphi Theatre. His success in the starring role was so great that he remained in London for almost three years,
performing it 935 times. He returned to Paris in 1974 in Jacques Debronkart's Les aventures de Tom Jones and then embarked on a
series of performances of Il était une fois l'opérette at the Théâtre Bobino, a show that had a
successful run in Paris before touring Canada in 1975. Jobin again distinguished himself on the immense stage of Le Châtelet in 1978
singing Michel Andrassy in the revival of Lehár's Christmas rose and Boris in Francis Lopez' Volga at the same
theatre. The daily L'Aurore described his performance in Christmas rose: 'André Jobin is the house tenor par excellence. He
has youth, vitality, and charm and is one of those singers who are no more afraid of high Cs than of soft notes' (17 Nov 1978). In 1979
he sang the role of Sou-Chong in seven performances of the operetta Land of smiles at the Grand Théâtre in Quebec
City in a production by the Société lyrique d'Aubigny. He sang the role of Angelo in the Italian premiere of Gilbert
Bécaud's Opéra d'Aran (1982). He performed more than 2000 times on the Parisian stage and played 96 different roles
in some 170 cities throughout the world. He also played such tenor roles as Werther, Roméo, Le Cid (Massenet) and Don
José. He staged Manon at the Opéra de Québec (1988) and The merry widow at the Opéra de
Reference: The Canadian Encyclopedia
I want to thank Georges Cardol for the picture.