Ifor Thomas was third child and only son of Owen Thomas and Isabella (née Morris), a celebrated singer from Dyffryn Nantlle.
The family moved to Pandy, Pentraeth, where he was educated in the village board school before being apprenticed to a carpenter.
He began singing under the tuition of his mother and E. D. Lloyd of Bangor (1868–1922), winning a scholarship in 1914 to
the Royal College of Music out of a field of 400. He left London in 1917 to study with Jean de Reszke in Paris and Beniamino
Gigli in Milan. The teaching by Gigli at that time is completely unbelievable as he was busy developing his career.
No Gigli books list Ifor Thomas as a student at any time.
The major concert halls of Britain had already welcomed the Welsh tenor before he opened in La Scala Milan in 1925, moving to
Monte Carlo and Nice before singing at the Paris Opera in 1927. The information about
Nice and Monte Carlo must be viewed as suspicious since he never sang in Paris or Milan as indicated in the
reference. In that year, he was admitted as an honorary bard to the Gorsedd
of Bards as Ifor o Fôn, before sailing to the United States.
Although he appeared with the Philadelphia Opera Company in 1928 he left the world of opera for the concert platform,
broadcasting and recording for H.M.V. and Sanders. He became a great favourite with the American Welsh who dubbed him the second
Evan Williams with a hint of Caruso. He also sang with leading quartets before forming one himself – The Four Aces – with three
other New York Welshmen.
His career as a solo artist was tragically brought to an end in 1929 by asthma, an old complaint which had prevented his going to
Llangefni Grammar School as a boy. Complete recovery proved elusive, in spite of spending 1931 in Italy, and although he sang
occasionally in 1932 he eventually accepted a post as photographer for Colliers Magazine in 1933. Here he made a name for himself,
especially for his portraits of F. D. Roosevelt and Winston Churchill, as well as a host of film stars.
After retiring in 1948 he turned to painting in oils and watercolour, exhibiting in Britain and the United States.
He was a fervent Welshman – he cymricised his middle name to Owain – and over the years he was host to scores of fellow
Welshmen in his house in New York. He was considered one of the mainstays of Welsh culture in the city and
in the Welsh Presbyterian Church, and conducted the Côr Merched Cymru in New York from 1944 onwards.
He died after a long illness, on his birthday, 1956, having returned from Wales the previous year.
He was buried in Forest Lawn Cemetery, Delwanna, N.J.
Reference: Dictionary of Welsh biography
