Rendall received his education at the Royal Academy of Music in London with Olive Groos and Alexander Young, and at the Salzburg
Mozarteum. In 1973 he won a singing contest and was awarded 1975 a Gulbenkian scholarship.
1975, he came to his official stage debut at the Glyndebourne Touring Company in the role of Ferrando in "Così fan tutte". He came
into England very successfully at the Festival of Glyndebourne (1976, again, as Ferrando, and later as Belmonte in "The abduction from the
seraglio" and as Tom Rakewell in "The rake's progress" by Stravinsky, at the Welsh National Opera, Cardiff (1985),
at the English National Opera in London, and especially since 1975 at the Covent Garden Opera in London.
At the latter stage, he debuted in 1975 as the Italian Singer in "Der Rosenkavalier" by R. Strauss, and then there was Don Ottavio
in "Don Giovanni", as Count Almaviva in Rossini's "Barber of Seville", as Matteo in "Arabella" by Richard Strauss, and heard
in Giacomo Rossini's "La donna del lago" and as a young sailor in "Tristan und Isolde" by R. Wagner.
He has performed at La Scala (1979 as Tom Rakewell), at the Deutsche Oper Berlin, at the State Operas of Vienna (1978: Ottavio, twice;
1988: Matteo, thrice), Munich and Hamburg, the opera houses of Cologne, Geneva, Lyon (1983 title role in "Damnation de Faust" by
Berlioz), Teatro Colón in Buenos Aires (1981), at the Opera House of Zürich (1985) and at the Paris Grand Opéra.
In the United States has made guest appearances have taken him since 1978 at the New York City Center Opera
(debut as Rodolfo in "La bohème"), the Operas of Ottawa and San Francisco (1978: Ottavio, six times during October; 1980: Ernesto,
five times during September/October)
and finally to the Metropolitan Opera New York, where he on February 28, 1980 sang as a departure role Ernesto in
"Don Pasquale".
In the following years he was there in such roles as Tamino (January 12, 1981), Alfredo (April 21, 1981),
Don Ottavio (April 25, 1981) in "Don Giovanni", Belmonte (April 27, 1984) in "The abduction from the seraglio",
the title character (January 1, 1987) in "La clemenza di Tito" by Mozart, Ferrando (January 29, 1983) in "Così
fan tutte",
Lenskij (April 23, 1985) in "Eugene Onegin",
Alfred (December 4, 1986) in "Die Fledermaus", David ("Meistersinger" on February 22, 1985) and Matteo (February 10, 1983) in "Arabella" by Richard Strauss.
One of his greatest successes he achieved on January 17, 1986 as the title character in "Idomeneo" by Mozart. His last
performance at the Met was as Ferrando on April 9, 1988.
In 1987 he sang at the Théâtre
des Champs-Elysées in Paris as Tamino in "Die Zauberflöte", in 1988 Glyndebourne, Belmonte and the 1989 Tom Rakewell, also in 1989,
the Festival of Aix-en-Provence Tito. In 1990 he performed at the English National Opera in London as Cavaradossi in "Tosca", in 1993
as Gabriele Adorno in Verdi's "Simon Boccanegra", 1989-90 at Covent Garden Opera as the Duke in "Rigoletto" and Matteo, 1991 at the
Opéra Bastille in Paris as Tamino, 1992 at the Opera House of Leipzig as Werther by Massenet.
In 1992, he worked at the Teatro Zarzuela
in Madrid, in the premiere of the opera "The Duenna" by Roberto Gerhard, in the role of Don Antonio. 1994 guest performance at the Teatro
Colón in Buenos Aires as Pylades in Gluck's "Iphigénie en Tauride", at the Opéra du Rhin in Strasbourg as Lohengrin, 1996 at the English
National Opera as Cavaradossi, Teatro Carlo Felice Genoa as Hoffmann in "The tales of Hoffmann."
He was especially admired as a great
Mozart interpreter, as well as Duke in "Rigoletto" by Verdi, as Rodolfo in Puccini's "La bohème", as Pinkerton in "Madama Butterfly",
as Alfredo in "La traviata", as Tom Rakewell, as Leicester in "Mary Stuart" by Donizetti. Other roles include:
Almaviva, des Grieux, Rodrigo (La donna del lago), Flamand, Otello (Glyndebourne), Canio (Florentine Opera in 1998)
Rendall found some controversy when he accidentally stabbed baritone Kimm Julian in the death scene of Pagliacci during
a rehearsal. The switchblade-style knife that the Milwaukee opera company used failed to collapse, and the baritone received a 3-inch-deep
cut into his abdomen. Julian recovered and police cleared Rendall of any wrongdoing, though not before the local press hinted darkly
about past violence in the English tenor's personal life., Radames, ...
He was an internationally known concert
and Oratoriensänger, and married to Diane Montaigue.
Recordings: CBS fan (Ferrando in "Così fan tutte", "La rondine" by Puccini), Harmonia Mundi (Missa solemnis
by Beethoven), HMV (Mozart's Requiem, Leicester in "Mary Stuart" by Donizetti, "Ariodante" by Händel), Chandos ("The apostles" by E.
Elgar), TER-Fono ("The student prince" by Romberg), DGG (religious music of Anton Bruckner).
John Freere Perry
PS:
His career ended when Rendall suffered a shattered hip, and damage to both shoulders and his left knee when a moving stage caused
part of the set to collapse on top of him. He has had a knee and hip replacement as well as extensive shoulder surgery.
Reference: Evening Standard, Daily Mail
